Gunplay may not be at the best-in-class level of 2019’s Modern Warfare, but it’s up there. Every burst of fire hits home with a satisfying audio/visual kick. Every gun feels unique, and bucks in your hand as you’d expect. When you’re thrown into a mission, the game does a great job of immersing you into its Cold War context. The writers here, unlike in a lot of preceding Call Of Duty games, have a sense of humour.Ĭall of Duty: Black Ops Cold War. This year’s tale, which follows a clandestine cabal of US military operatives vying to preserve the liberty of “the free men and women of the world” from Communism, deftly weaves between glibly funny and grimly serious, navigating every careering shift in tone with ease. Though the majority of the experience – a multiplayer mode buckling under the weight of launch, a Zombies mode experimenting with an aging formula, and a narrative that sticks to predictable story beats – may seem awkwardly familiar, Black Ops: Cold Wardoes have one or two unexpected surprises loaded in its chamber.įor starters, the ethically ambiguous campaign plucks at the boundaries of what Call Of Duty story modes have done before. It’s Michael Bay, the video game, with development studios Raven and Treyarch teaming up to usher this entry out the door under a hail of bullets and blasts.
It’s gung-ho, it’s reflex-reliant, and it’s loud.
If you’ve picked up any Call Of Duty game in the past decade, you know what you’re in for the second you boot up Black Ops: Cold War.
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